Here is the entire review, translated and reprinted in full below:
The US band Circuline was founded in 2014. Behind the name are experienced musicians with a clear plan in which direction their collaboration should go. And so it is not surprising that their debut album “Return” was released a year later, followed a year later by their second studio album “Counterpoint”. That was it for a while but with new output, because in the next few years only live recordings were released on CD or DVD (“CircuLive::Majestik” from 2018 and “CircuLive:: New View” from 2020).
There were line-up changes and ultimately a very promising line-up, which produced the current album “C.O.R.E.” played. The core still consists of singer Natalie Brown, keyboardist and singer Andrew Colyer and Darin Brannon. New additions include Shelby Logan Warne on bass (Kyros, Synaesthesia) and the busy Dave Bainbridge on guitars (Iona, Strawbs, duo with Sally Min, daughter of the legendary Gentle Giant keyboardist Kerry Minnear, Lifesigns). Of course that makes you curious.
And the Symphonic Prog fan will not be disappointed! It may take a few listens, but sooner or later it becomes clear that this is a very varied, high-quality album that will hopefully lead to a significant increase in the level of awareness and popularity of this (now multinational) band - this would be deserved anyway.
Plus points can be collected with the vocal melodies and performances. They are quite melodic, although the melodies don't necessarily stick in your ear canals straight away. The interplay between front woman Natalie Brown and singer/keyboardist Andrew Colyer works flawlessly. They are able to sound a bit like Yes, like on ‘Third Rail’. But Moon Safari also comes through in some songs with a lot of background vocals. ‘Temporal Thing’ also contains arrangements reminiscent of Yes, here through the steel guitar and the beautiful Mellotron sound.
'Blindside', on the other hand, shows that they have mastered powerful vocal arrangements that even go as far as gospel-like.
They put the monster track 'Transmission Error' (albeit “only” about ten minutes long) at the end. It would also be a perfect end to a concert, because there is one climax after another. It starts right away with a crisp bass and a fast guitar and shows that they can also cut a good figure with slightly harder tunes. Bainbridge in particular shows his strengths here, and it doesn't have to be a Latimer-like guitar, but rather something completely different, like in this case a short Allan Holdsworth memory passage. But the keyboards are also very versatile here, sometimes as a fine organ, then with beautiful piano playing and finally with a wild synthesizer duel with the fantastic violin by Kansas violinist Joe Deninzon. As I said – a monster track. If you want to get a quick idea of the qualities of this band, listen to this song straight away - then no questions will be left unanswered.
Great album from a great band that has been given an additional breath of fresh air by the new members. Big recommendation for the symphonic rock fan! Rating: 12/15 points
Teapot of the Week “Teapot of the Week” on Supervised Progging in week 38/2024
~
Supervised Prog and Juergen – Thank you so much for these kind words.
Thank you so much, Jon Neudorf and Steven Reid of Sea of Tranquility, for both reviewing CircuLive::NewView !!
Here is Jon Neudorf’s review:
“Hailing from New York, Circuline has been around since 2014 and released their debut album Return in 2015, followed by Counterpoint in 2016 of which I was mightily impressed as it made my top twenty-five of that year.
Their live disc titled Circulive �” New View captures their 2017 performance at ProgStock, recorded at the Union County Performing Art Center in New Jersey. The four panel digipack includes a CD, DVD, and Blu-ray.
This is an excellent performance from the band and includes tracks from their first two albums. The concert opens with the instrumental “Erosion”, a moody and fairly complex piece featuring catchy riff progressions and outstanding keyboards. “One Wish” is a gentler piece at the beginning featuring clean guitar and keyboards and the fine vocals of Natalie Brown. It’s quite a catchy number and reveals the band in fine form especially when they take an unexpected turn into tight progressive metal. All members bring on the heat with scintillating musicianship. The band has some fun with “Piano Challenge”, featuring a head to head dual between the drummer and keyboardist. Both are excellent players and when drums and guitar join in on the fun the band really starts to cook. The somewhat moody “Hollow” finds these musicians exploring darker territory, featuring more fine guitar from Alek Darson.
I really cannot say enough of the talent displayed in this excellent set. Quirky arrangements, scintillating pyrotechnics, and a flair for the dramatic take these tunes off the beaten path as Circuline definitely have their own style and sound. I highly recommend you give this relatively underrated band a spin and discover Circuline for yourself.
The Players: Andrew Colyer (keyboards, vocals, percussion) Darin Brannon (drums, keyboards) Natalie Brown (lead vocals, percussion) Willian “Billy” Spillane (lead vocals, rhythm guitar, percussion) Joel Simches (bass, bass pedals, drums, acoustic guitar) Alek Darson (lead and rhythm guitars)
My Score: FOUR STARS”
~
THERE ARE ACTUALLY TWO REVIEWS ON THIS PAGE!! ONE DUDE 3 STARS, ONE DUDE 4 STARS – TYPES GOOD STUFF FROM THE REVIEW HERE…..
Thank you so much to Background Magazine’s Henri Strik and Tracy van Os van den Abeelen, for this FANTASTIC review! We are reprinting it here IN FULL, and if you want to read it on their website, the link is included at the bottom of this post. 😀 ~
For many lovers of progressive rock living in the USA is Circuline a rather well known name. However for those living on the other side of the Atlantic ocean this name doesn’t ring any bells for most of them. They don’t know that they started early 2014 and released already two studio albums. Namely Return (2015) and Counterpoint (2016). This sextet from New York occasionally does some live performance in their country and also wants to climb the stage in Europe. But as with many bands from North or South America it is rather difficult to reach their audience outside their home country and see them face to face. Therefore it is sometimes a good way to come with a live release. This also occurs for Circuline. Therefore they decide to come up with a second live release in their career after putting out Circulive::Majestik back in 2018. So it’s now time to welcome Circulive: New View. It’s a release which is without any doubt a great bundle to own. Why? Because it brings out the audio and video on CD, DVD and Blu-ray in one package. How cool is that!
New View was recorded at the ProgStock Festival October 14th in 2017. It was done in a line up consisting of Andrew Colyer (keyboards / vocals / percussion), Darin Brannon (drums / keyboards), Natalie Brown (lead vocals / percussion), William Spillane (lead vocals / rhythm guitar / percussion), Joel Simches (bass / bass pedals / drums / acoustic guitar) and Alek Darson (lead and rhythm guitars).
The whole release is rather entertaining and gives us a cross-section of their already mentioned two studio albums. There is also one composition written by Sound of Contact, namely Pale Blue Dot. A great version if I may say so. Moreover we have the great Piano Challenge between Andrew Colyer and Darin Brannon. A medley with scraps of classical music as well as excerpts of Tarkus (ELP) and Awaken (Yes). Also nice is The Drum Feature that follows the soundscape-like Forbidden Planet. Instead of just letting the drummer go behind his kit on his percussion, everyone taps, drums or plays on a percussion instrument. Nice for variety and as a show element and is something which Gentle Giant and Lazuli have also done on stage.
For me it is the instrumental parts such as in Fallout Shelter, Forbidden Planet and Stereotypes that appeal to me very much because everyone has mastered their instrument well and radiates pleasure playing. In addition to the pointed but delightful guitar solos, the classical piano playing and the flashy bass playing on the Rickenbacker are particularly striking. Off course it doesn’t mean that the songs in which the two singers are included are the worst compositions done. Both singers have strong voices and add really something to the band.
All in all you can say that the keyboards stand out, and you can tell who is holding the strings here. But the guitar work is not neglected either and supported by an excellent rhythm group.
The DVD contains the same material as the CD, but the Blu-ray offers additional video content: concert with audio commentary, backstage and behind the scenes material, official videos, onstage photo slide show and concert poster slide show. So the fan gets a lot of material here and will be thrilled.
In the end Circuline offers the fan the best-off par excellence but also the perfect live album which will obviously delight all the followers of the group but which will also serve as a starting point for all those who want to discover this great American band. This is a real must for fans of Glass Hammer, Renaissance, Magenta and Yes! And of course for lovers of progressive rock in general! Well done indeed! Next time please get to the other side of the Atlantic!!!
**** Henri Strik (edited by Tracy van Os van den Abeelen)
Thank you so much, Music Connection Magazine and Eric Harabadian, for featuring Circuline in your November 2020 Livestream Reviews, for our 15-date, 45-Event NewView Virtual Tour!
We are reproducing the entire article here for your ease of reading:
Material: Circuline is a modern rock band that puts the emphasis on harmony, melody and good song structure. Drawing heavily from the progressive rock tradition, they jam with the best of them. But the melodic essence of their tunes is key, and will resonate with you for some time to come. Shades of YES, ELP, The Moody Blues, early Jefferson Starship, Curved Air, Steve Hackett and many other elements factor into their unique and original sound. The theatrical sci-fi-like “Forbidden Planet,” “Inception’s” stratospheric arc, the jazzy “Summit” and the incredibly cinematic “Stereotypes” display the wide range of this mega-talented troupe.
Musicianship: The merging of several ingredients and disciplines creates their cauldron of creativity. Colyer is a Juilliard-trained pianist who mans an impressive bank of keyboards. His composing, arranging skills and ability to coax a plethora of otherworldly sounds out of his instruments is jaw-dropping. The same can be said for Brown and Spillane’s front line vocals. Their singular and harmonic exchanges provide a rich and exciting choral effect. Brannon’s drumming intrepidly weaves through all the accents and tempo shifts providing back beat, and even stepping out front for a solo spot. Darson comes from the Hackett/DiMeola/Fripp school of guitar and, along with the versatile low end of Simches, rounds out this ensemble in a grand manner.
Performance: From September through early October 2020 the band has been promoting their new album “Circulive” with an exclusive Facebook Live “New View Virtual Tour.” Via their FB site, audiences have been treated to video premieres and behind-the-scenes online chats where the band talks live about the making of the videos. These weekly installments really seemed to connect with fans as the chat room was consistently active and engaged. The video premieres showcase the band performing at various venues in the U.S. and Europe. Throughout these performances there is a true team spirit that is evident. Everyone checks their ego at the door and the result is a shared experience between the ensemble and their audience.
Summary: Circuline is a progressive rock band that seems to really connect with their fans. And, during these unprecedented times, this “New View Virtual Tour” further displays their “out of the box” resolve and approach.
The digital online version of this article was originally published on October 26th, 2020. Here is the link:
