Thank you to Jerry Ewing and all the staff at PROG Magazine (UK) for featuring the Counterpoint track “Stay (Peter Frankenstan)” on their “P50 Tales of the Future” Covermount CD Sampler, included with their December 2016 Issue! https://www.loudersound.com/features/new-issue-of-prog-is-on-sale-today-8
We’re so glad that the magazine is back on its feet, and will hopefully be with us for many years to come. 🙂
Janet Krier Riccobono‘s husband Rob Shannon took the band photo that was used for the band bio on this featured page!
Frank Wyatt‘s Happy the Man / Oblivion Sun bandmate Stanley Whitaker played the guitar solo on this track. Bill Brasso is also an Oblivion Sun bandmate.
Circuline received a two-page Feature in PROG Magazine 69! Following a 45-minute Skype interview with Andrew Colyer and Darin Brannon, rock journalist Rich Wilson wrote a great story about Circuline’s past, present, and future, including tales of Downing Grey, founding guitarist Bill Shannon’s departure, first album learning experiences, and the new album Counterpoint.
Marillion graced the cover with a 12-page article, and other features included Barclay James Harvest, Aisles, The Pineapple Thief, Russian Circles, Dream The Electric Sleep, Wolverine, and Ashley Hutchings.
Thank you so much to Jerry Ewing, Rich Wilson, and everyone at PROG Magazine!
Thank you so much to Martin Hutchinson from ProgRadar for such a spectaular review of Circuline’s new album, “Counterpoint”!
Dynamic guitars dominate the soundscape, interspersing with the keyboards like some ELP-esque monster. It’s forceful and influential Prog with a vivid outlook…..highly impressive…..a huge wave of sound engulfs you with its magnificence…..the vocals..are theatrical to the max, superbly interplay between [Billy Spillane] and Natalie Brown….. laid back, chilled sections that occasionally grace your aural sensors, they give you a sweet respite from the upsurging music that hits you square on the jaw but always leaves you smiling…..artful and dramatic…..the feel that you are in an actual theatre, enjoying a musical show…..heartfelt and moving…..definite hints of Glass Hammer and even Dream Theater…..the instrumental sections are really convoluted and complex…..there is something for everyone…..just excellent songwriting and musicianship…..the cinematic overtones are there in spades…..vigorous drumbeat adding to that high energy aura…..the vocals hit the spot…..clever integration of the complexities of progressive rock infused with some powerful rock elements to give that cinematic feel…..thoughtful and contemplative…..a superlative listening experience, a musical journey that, once traveled, you are happy to return to time after time….. like the perfect recipe from some masterchefs of the musical world…..lush vocals laid before us…..grin inducing guitar solos and keyboard runs abound and you are just left floating in a world of musical well-being…..you are left wanting for nothing with this band’s repertoire and it is shown to the full…..I have to admit, by the end of this album, I am left feeling that I have been spoiled by the music and talent on offer.
Thank you so much to Jerry Ewing and all of the amazing people at PROG Magazine for nominating Circuline for the Limelight award, as one of the best new bands of the year!
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